Adobe Audition / Premiere
Transcript panel inside na Adobe timeline. Tied to Creative Cloud me na project file.
Drop a WAV recording straight mai na field rig, DAW bounce, o interview kit. Ka keep mo na 24-bit headroom intact, run diarization on na raw PCM, me return a timestamped transcript kei SRT in minutes.
MP3 · WAV · M4A · MP4 · MOV · MKV · OGG · OPUS · FLAC · WEBM — up to 100 MB anonymously
YouTube · TikTok · Vimeo · Twitter · SoundCloud · Spotify · 50+ more
↓ Watch what comes out
Lossless WAV ena every sibilant, plosive, me quiet word survives intact — kece MP3 smear on consonants. If na file is multi-track (one speaker per channel), ka skip mo acoustic diarization entirely me split on na channel layout.
Take me back to that morning in seventy-eight — what time did the call come in?
Quarter to five, give or take. Kettle was on, I remember that much.
And from there you drove straight down to the harbour?
Straight to the boatyard. Lights were still on when I pulled in.
↓ This is the dashboard
Same layout as the real dashboard — Summary, full Transcript, Speakers tab, Exports. Key points and action items extracted automatically. Auto-tags on every job.
Sample preview from a founder interview about post-call workflow. Real transcripts look exactly like this — same tabs, same summary block, same key-points / action-items split, same auto-tag chips.
Three real options · honest comparison
Audition's Speech to Text ka bundled kei Creative Cloud me stay inside na timeline. Descript imports na WAV into its own editor. Ka take mo na file as-is, return standard exports, me kece na request mo move na project anywhere.
Transcript panel inside na Adobe timeline. Tied to Creative Cloud me na project file.
Drop na WAV. Per-channel diarization if it's multi-track. Source deleted in 24h.
Imports na WAV into Descript's editor. Powerful, but ka work mo inside it.
Pricing accurate as of 2026. Adobe me Descript feature flags change frequently; check current docs before committing.
Specific to WAV
Most uploaders silently downsample na WAV before sending it to a recognizer. Ka kece kami.
Drop a WAV me these flip on by default. Override per-job from na form.
Accuracy · real-world numbers
Because WAV stores raw PCM kei kece na perceptual compression, consonants me sibilants aren't smeared na wayi MP3 smears them. Na recognizer hears what na microphone heard. Numbers below come from real customer WAV jobs in production.
48 kHz / 24-bit, large-diaphragm condenser, treated room. Narration, audiobook, voice-over bookings land here.
One channel per speaker (lavs o boundary mics). Diarization is just channel routing — text-only error.
Zoom H5, Tascam DR-40, similar. Stereo XY pickup, 2-3 speakers, some room reflection. Most podcast WAVs land here.
Outdoor, café, vehicle. Lossless capture helps — na noise is real, kece codec artefact — but accuracy still drops on overlapping speech.
Common questions
30 free minutes every month. No card. Per-track diarization, 32-bit float supported, source audio deleted in 24h.
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