Adobe Audition / Premiere
Transcript panel inside the Adobe timeline. Tied to Creative Cloud and the project file.
Drop a WAV recording straight from your field rig, DAW bounce, or interview kit. We keep the 24-bit headroom intact, run diarization on the raw PCM, and return a timestamped transcript with SRT in minutes.
MP3 · WAV · M4A · MP4 · MOV · MKV · OGG · OPUS · FLAC · WEBM — up to 100 MB anonymously
YouTube · TikTok · Vimeo · Twitter · SoundCloud · Spotify · 50+ more
↓ Watch what comes out
Lossless WAV means every sibilant, plosive, and quiet word survives intact — no MP3 smear on consonants. If the file is multi-track (one speaker per channel), we skip acoustic diarization entirely and split on the channel layout.
Take me back to that morning in seventy-eight — what time did the call come in?
Quarter to five, give or take. Kettle was on, I remember that much.
And from there you drove straight down to the harbour?
Straight to the boatyard. Lights were still on when I pulled in.
↓ This is the dashboard
Same layout as the real dashboard — Summary, full Transcript, Speakers tab, Exports. Key points and action items extracted automatically. Auto-tags on every job.
Sample preview from a founder interview about post-call workflow. Real transcripts look exactly like this — same tabs, same summary block, same key-points / action-items split, same auto-tag chips.
Three real options · honest comparison
Audition's Speech to Text is bundled with Creative Cloud and stays inside the timeline. Descript imports the WAV into its own editor. We take the file as-is, return standard exports, and don't ask you to move your project anywhere.
Transcript panel inside the Adobe timeline. Tied to Creative Cloud and the project file.
Drop the WAV. Per-channel diarization if it's multi-track. Source deleted in 24h.
Imports your WAV into Descript's editor. Powerful, but you have to work inside it.
Pricing accurate as of 2026. Adobe and Descript feature flags change frequently; check current docs before committing.
Specific to WAV
Most uploaders silently downsample your WAV before sending it to a recognizer. We don't.
Drop a WAV and these flip on by default. Override per-job from the form.
Accuracy · real-world numbers
Because WAV stores raw PCM with no perceptual compression, consonants and sibilants aren't smeared the way MP3 smears them. The recognizer hears what the microphone heard. Numbers below come from real customer WAV jobs in production.
48 kHz / 24-bit, large-diaphragm condenser, treated room. Narration, audiobook, voice-over bookings land here.
One channel per speaker (lavs or boundary mics). Diarization is just channel routing — text-only error.
Zoom H5, Tascam DR-40, similar. Stereo XY pickup, 2-3 speakers, some room reflection. Most podcast WAVs land here.
Outdoor, café, vehicle. Lossless capture helps — the noise is real, not codec artefact — but accuracy still drops on overlapping speech.
Common questions
30 free minutes every month. No card. Per-track diarization, 32-bit float supported, source audio deleted in 24h.
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